Morocco's Meanderings

Madonna Booed for Mentioning Discrimination Agains Roma in Romania

2009-09-26T08:40:00.002-04:00

BUCHAREST, Romania - At first, fans politely applauded the Roma performers sharing a stage withMadonna. Then the pop star condemned widespread discrimination against Roma, or Gypsies — and the cheers gave way to jeers.

The sharp mood change that swept the crowd of 60,000, who had packed a park for Wednesday night's concert, underscores how prejudice against Gypsies remains deeply entrenched across Eastern Europe.

Despite long-standing efforts to stamp out rampant bias, human rights advocates say Roma probably suffer more humiliation and endure more discrimination than any other people group on the continent.

Sometimes, it can be deadly: In neighboring Hungary, six Roma have been killed and several wounded in a recent series of apparently racially motivated attacks targeting small countryside villages predominantly settled by Gypsies.

"There is generally widespread resentment against Gypsies in Eastern Europe. They have historically been the underdog," Radu Motoc, an official with the Soros Foundation Romania, said Thursday.

Roma, or Gypsies, are a nomadic ethnic group believed to have their roots in the Indian subcontinent. They live mostly in southern and eastern Europe, but hundreds of thousands have migrated west over the past few decades in search of jobs and better living conditions.

Romania has the largest number of Roma in the region. Some say the population could be as high as 2 million, although official data put it at 500,000.

Until the 19th century, Romanian Gypsies were slaves, and they've gotten a mixed response ever since: While discrimination is widespread, many East Europeans are enthusiastic about Gypsy music and dance, which they embrace as part of the region's cultural heritage.

That explains why the Roma musicians and a dancer who had briefly joined Madonna onstage got enthusiastic applause. And it also may explain why some in the crowd turned on Madonna when she paused during the two-hour show — a stop on her worldwide "Sticky and Sweet" tour — to touch on their plight.

"It has been brought to my attention ... that there is a lot of discrimination against Romanies and Gypsies in general in Eastern Europe," she said. "It made me feel very sad."

Thousands booed and jeered her.

A few cheered when she added: "We don't believe in discrimination ... we believe in freedom and equal rights for everyone." But she got more boos when she mentioned discrimination against homosexuals and others.

"I jeered her because it seemed false what she was telling us. What business does she have telling us these things?" said Ionut Dinu, 23.

Madonna did not react and carried on with her concert, held near the hulking palace of the late communist dictator Nicolae Ceausescu. Her publicist, Liz Rosenberg, said Madonna and other had told her there were cheers as well as jeers.

"Madonna has been touring with a phenomenal troupe of Roma musicians who made her aware of the discrimination toward them in several countries so she felt compelled to make a brief statement," Rosenberg said in an e-mail. "She will not be issuing a further statement."

One Roma musician said the attitude toward Gypsies is contradictory. "Romanians watch Gypsy soap operas, they like Gypsy music and go to Gypsy concerts," said Damian Draghici, a Grammy Award-winner who has performed with James Brown and Joe Cocker.

"But there has been a wave of aggression against Roma people in Italy, Hungary and Romania, which shows me something is not OK," he told the AP in an interview. "The politicians have to do something about it. People have to be educated not to be prejudiced. All people are equal, and that is the message politicians must give."

Nearly one in two of Europe's estimated 12 million Roma claimed to have suffered an act of discrimination over the past 12 months, according to a recent report by the Vienna-based EU Fundamental Rights Agency. The group says Roma face "overt discrimination" in housing, health care and education.

Many do not have official identification, which means they cannot get social benefits, are undereducated and struggle to find decent jobs.

Roma children are more likely to drop out of school than their peers from other ethnic groups. Many Romanians label Gypsies as thieves, and many are outraged by those who beg or commit petty crimes in Western Europe, believing they spoil Romania's image abroad.

In May 2007, Romanian President Traian Basescu was heard to call a Romanian journalist a "stinky Gypsy" during a conversation with his wife. Romania's anti-discrimination board criticized Basescu, who later apologized.

Human rights activists say the attacks in Hungary, which began in July 2008, may be tied to that country's economic crisis and the rising popularity of far-right vigilantes angered by a rash of petty thefts and other so-called "Gypsy crime." Last week, police arrested four suspects in a nightclub in the eastern city of Debrecen.

Bulgaria, the Czech Republic and Slovakia also have been criticized for widespread bias against Roma. Madonna's outrage touched a nerve in Romania, but it seems doubtful it will change anything, said the Soros Foundation's Motoc. "Madonna is a pop star. She is not an expert on interethnic relations," he said.

(AP Writers Alison Mutler in Bucharest, William J. Kole in Vienna and Nekesa Mumbi Moody in New York contributed to this report.)

RISKING THEIR LIVES FOR THE SAKE OF DANCE!

2008-01-23T14:48:00.000-05:00

BAGHDAD, Oct. 29 — The members of the national dance troupe of Iraq are performers without an audience. They rehearse daily, but hardly ever put on a show.

Yet each turn of the hip and dip at the waist in their choreographed pieces has become weighted with a dangerous new reality, even as they wait for the chaos around them to subside so they can perform again. In today’s Iraq, with conservative religious parties and radical militias exerting growing influence over every aspect of life, even dancing is an act of bravery.

“Society is overwhelmed by these religious ideologies,” said Tariq Ibrahim, a male dancer in the Baghdad troupe, the Iraqi National Folklore Group. “Now a woman on the street without a head scarf attracts attention. What about a woman onstage dancing?”

Together they are a band of 10 women and 15 men from varied religious backgrounds. Once they toured the world together. Today they are simply trying to survive, hoping one day to thrive again as a troupe. But the religiosity sweeping Iraq does not bode well for their future.

Female participation in folk dancing is considered haram, or forbidden, in Islam. Ayatollah al-Sistani, the leading Shiite cleric in Iraq, has issued strict guidelines against dancing in various situations. The country’s Shiite-led government, the dancers said, is naturally trying to marginalize them.

“Religion in its essence does not match with art,” said Fouad Thanoon, the group’s director and lead choreographer. “So when religion and government come together, that will affect art very much.”

The group has more immediate worries about extremists. Recently one of its members, Bushra Yousif, 21, a petite woman with delicate features who has been with the group for six years, received a note at home warning her to leave within 48 hours. A bullet was included in the envelope.

She was probably singled out because of her profession, she said, but she will continue to attend rehearsals every day. She loves dancing too much, she said describing it as the highest form of art to “deliver a message through your body.”

“Dying for this group would be like being martyred,” she said, adding that it is a risk she accepts.

The group, which began in 1971, is dedicated to preserving the folk-dancing heritage of Iraq, performing traditional dances drawn from across that country’s history and geography. The troupe’s first two decades were golden years, when dancers trained with master instructors from overseas and frequently went on international tours. In 1980 the dancers performed at the United Nations in New York and visited Paris. They have gone to Italy, Japan and China — 60 countries in all — and won numerous prizes along the way.

The economic sanctions imposed by the United Nations in the early 1990s brought most of that to a halt. But just a year before the American-led invasion in 2003, the group enjoyed a rebirth with a burst of freedom under Saddam Hussein’s government, performing almost every week here.

“The audiences were huge,” Mr. Thanoon, the group’s director said. “The theaters were overbooked.”
But the group has been in suspended animation since the invasion began. It has performed just four times in Iraq and made two brief trips to Jordan and Dubai since 2003. The violence that surrounds it makes holding performances impossible.

“It is absurd,” Mr. Ibrahim said. “It is not logical to have a performance group that only practices.”

Maysoun al-Damalouji, an outspoken secular member of Parliament who was the Iraqi government’s senior deputy minister of culture until March, said she had worried about being able to protect the dancers, as well as others involved in artistic endeavors that were objectionable to certain religious groups.

“The dancers were not the only ones,” she said. “We were worried about having fashion shows because we had to protect the models. We found we couldn’t really do that. The best way of protecting them was not to have them shown in public.”

The dance troupe had mainly supported itself with ticket sales before the fall of Mr. Hussein’s government, but when performances ended that became impossible. The current government has not compensated for that loss, the dancers said. They receive tiny stipends, amounting to about $140 a month, but even that is not guaranteed. The money often does not come and is usually barely enough to cover each dancer’s rent. Because the dancers rehearse every day from 9:30 a.m. to 1:30 p.m., it is almost impossible for them to get second jobs.

The present government, controlled by conservative religious parties, cares little for the arts, Ms. al-Damalouji said, so it is not inclined to support groups like the dance troupe.

In this climate the dancers said they must censor themselves. The group recently played a small role in a theatrical production in support of the country’s national reconciliation plan, put on for some employees of the Ministry of Culture, but Mr. Thanoon advised his dancers, for their own sake, to minimize any shaking of their hips or shoulders. The result was a rigid routine that seemed more martial than elegant.

“It should be like this,” Liqaa Shukr said, demonstrating with plenty of gyrating flourish. “Instead it is like this,” she said, switching to the languid movements they wound up performing.

Certain folk dances have been eliminated completely from the group’s repertory for performances inside Iraq because they might be considered too provocative.
“We need to match what’s going on now, not stand out,” said Najwa Subhi, another female dancer.

Most of the women in the group go to elaborate lengths to hide their occupation from their neighbors, even though some of their faces are well known in Iraq from their performances on television under the old government.
Ms. Subhi, who lives in a mostly Shiite neighborhood dominated by militiamen, said she told her neighbors that she had quit her dancing and was working as a receptionist. She told them that even Hannah Abdullah, one of the group’s founders and Iraq’s best-known dancer, had retired.

“I spread this idea that we are no longer dancing,” she said.

On a recent trip to Jordan for a cultural festival, she had her husband load her luggage in the car in the middle of the night. Even her husband’s family did not know that she was going to perform. She told them she was visiting her brother in Kirkuk.

Rana Anwar, who successfully auditioned for a spot in the troupe three months ago, has let her neighbors and friends continue to believe that she is still a student at a tourism institute in Baghdad.

“It is very hard with what’s going on to become a dancer,” she said. “But my main goal is to show Iraq is not a backward country. Iraqi people like to dance, they like to sing.”

So the dancers continue to practice daily in front of empty seats at the National Theater in central Baghdad. The dilapidated hall has become their sanctuary from the country’s tumult.

Dumoaa Jamal was with the group for 10 years, but her uncle forced her to quit after the invasion because he deemed it too dangerous. But she returned three months ago, and tries to allay his fears by making sure she comes to rehearsals dressed in inconspicuous clothing and a head scarf hiding her long flowing hair.

“I wish it could be 24 hours a day,” she said about the group’s rehearsals. “When I enter the theater, it is as if everything from outside is gone. It is as if I have entered a different world.”

She feels like a bird on stage, she said. Later, when she has donned her head scarf, scrubbed the makeup from her face and stepped outside, reality returns. There is no more dancing, only walking as invisibly as possible.

NO TO VIOLENCE AGAINST WOMEN: Breaking Walls of Silence

2007-12-08T20:56:00.000-05:00

By Marianne Rasmussen - First Published: December 6, 2007

November 25 marked the annual day for violence against women. It was also the beginning of a United Nations-led 16-day campaign entitled “Say NO to Violence Against Women”.

“Violence against women is always a violation of human rights, it is always a crime, and it is always unacceptable,” the Secretary-General of the United Nations stated in his message for the day, emphasizing the gravity of the phenomenon — a gravity which is reflected in the fact that one in three women is beaten, coerced into sex, or otherwise abused at least once in her lifetime; or by the fact that women aged 15 to 44 are more likely to die or suffer disability as a result of rape or domestic violence than from cancer, motor vehicle accidents, war and Malaria.

Egypt is no exception when it comes to violence against women. According to a demographic health survey from a 2003 report quoted by Unicef, 97 percent of Egyptian women in reproductive age suffer female genital mutilation (FGM). Many women in the region, as elsewhere, continue to suffer abuse in terms of rape – within or outside marriage — or fall victim to “crimes of honor” with the perpetrators receiving lenient sentences.

A study made by former United Nations Secretary-General Kofi Annan in 2006, shows that only 89 states had some form of legislative prohibition on domestic violence and only 60 states had specific domestic violence laws. Criminal law in the overwhelming majority of Arab countries considers rape to be an attack on public modesty/decency and not a crime against the person — the recent story of Saudi Arabia’s “Qatif Girl” is one example of this.

Such classification denotes women’s bodies and female sexuality as belonging to the family not to the individual women themselves. The notion of marital rape does not exist in Egypt, as the body of a married woman is “belongs” to her husband. This legislative gap is one of the reasons why violence against women is often ignored and rarely punished. The shame and stigma associated with sexual violence prevents most women from sharing their experiences. This increases feelings of isolation, which often prevent women from accessing the necessary healthcare or legal action. This “invisibility” of sufferers from most forms of violence against women allows many in positions of authority to shun their responsibility to set up support centers for victims, to train and appoint qualified staff to deal with the victims of VAW and punish the perpetrators.

There is one particular aspect of violence against women which is even less noted than the abuse itself — the perpetrators. The actors, motives and rationales behind the crimes disappear in the legal system and are absent from public debate. They are even absent from the concept of violence against women itself.

A less common name of the phenomenon of violence against women is male violence against women, underlining that the violator is a man. The term “male violence” does not, however, sufficiently grasp the scope and variety of the forms violence against women. Female genital mutilation is an example of systematic, institutionalized violence carried out everyday by women as well as men.

Another example of structural and institutionalized violence is when violence against women is used as a weapon of war. According to Amnesty International, 70 percent of the casualties in recent conflicts have been non-combatants; 80 percent of these are women and children. Even as you read this, women in conflict zones such as the eastern parts of the Democratic Republic of Congo are reported to be subject to some inconceivable forms of violence. These include keeping women tied up for months, using them as sex slaves, mutilating their bodies, or forcing them to submit to gang rape carried out by their sons, fathers or brothers. Why? Because sexualized violence directed at women, demonstrates the strength of the aggressors, and the powerlessness of their adversaries to protect their women. Women survivors face great difficulties reintegrating into their families and communities, given that societies, in many cases consider them as bearers of their families’ dishonor rather than seeing them as victims.

One of the steps needed to put an end to the systematized and widespread violence is to recognize that it is a problem and that attention must be paid to its root causes. This means acknowledging it is a structural phenomenon, not caused solely by individual men.

It can be argued that it is caused by the historical imbalance of power relations in patriarchal societies between women and men and the resulting domination over, and discrimination against women by men. At the same time both gender-relations and the concept of masculinity need to be critically scrutinized. Individual men’s violence against women is at times excused by a public perception of male sexuality and psyche as being inherently aggressive. States of mind such as jealousy or desire serve as arguments to assuage the punishment and consequences of sexualized violence, and label it as “a crime of passion”.

The fact that the United Nations has marked a special day for violence against women gives hope that things are moving in the right direction. Meanwhile, we can all help to end this violence by acknowledging that the persistence and tolerance of the phenomenon is a fundamental obstacle to women’s full advancement. Men need to foster and encourage a perception of masculinity rooted in responsibility, care and sincere respect for women rather than dominance and aggression.

Women need to find the strength, self-esteem and self-respect within themselves to acknowledge that they are active subjects rather than the de-humanized, passive objects that all violations ultimately turn them into.

Marianne Rasmussen is a Danish journalist currently interning with the United Nations Information Center in Cairo.

The Truth About What Happened in Cairo

2007-07-24T11:02:00.000-04:00

STAY AWAY FROM MOTRIN and ALL IBUPROFIN PRODUCTS!!!

Here's what happened to me in Cairo this last trip - it's gonna be long and a bit gross (sorry), so put down the sandwich ...

Before this Cairo Ahlan wa Sahlan Festival I had NEVER missed a seminar class (and only ONE performance - due to a taxi accident) - in over 47 years!

I had to cancel BOTH my classes in Cairo and my performance because I was seriously ill and almost died - I was 2 hrs away from bleeding to death internally and spent almost a week in the Anglo-American hospital in Cairo. Thank heavens I took out travel health insurance!!!

It seems that totally unbeknownst to me, I had/ have TWO steadily bleeding duodenal ulcers, originally caused by MOTRIN (!!!!) I was taking when I taught for the Two Old Bags in Reno almost 3 years ago.... (BEWARE OF IBUPROFIN!!!)

The Motrin caused the first incident the Monday after that seminar, when I was spewing like Mt Vesuvius (gross!) which was misdiagnosed as gastritis. I thought I recovered.

Nothing really noticeable for almost 3 years - a little occasional indigestion that Mylanta and Pepcid calmed - till I went to teach in California in April (spent all Sat night barfing my guts up, but taught my classes nonetheless - fortunately there was no show)

Then a less violent incident in Nashville in May - after I had finished my teaching and show.

In June Delta totally stranded an entire planeful of passengers to Asheville, NC in Atlanta airport - including ME - with NO way of getting there till a sainted passenger said: "I'm renting a car and driving to Asheville, whos coming with me???"

THAT was how I got to my seminar and concert - 7 1/2 hours later than scheduled. Imagine the stress!!!

I'm NEVER voluntarily flying Delta again. Their excuse for no flight?? "The plane is here, but we can't find the crew." Repeated for over THREE and a HALF HOURS.

Add to that FIVE YEARS of continual auditing and harrassment/ extortion by the IRS and the schedule you see on my "Where's Rocky" page...

Left for Cairo Sunday, June 24 with my darling duckies ... Get to Cairo June 25, register my duckies for their classes while they were on a city tour & climbing the pyramids ... Opening Gala,

I'm feeling VERY nauseous - and not because of Nancy's god-awful, uncoordinated dancing boys. Went to my room and couldn't stop upchucking for 5 days. Gross!!! Could not eat a bite and still barfing away.

Called the Mena House's doctor, who gave me something called "Vomistop". It didn't. Went to the hospital he recommended because I was now barfing blood and even intrepid moi was scared.

They did an immediate endoscopy and discovered that my entire stomach was filled with congealed blood from the 2 slowly, steadily bleeding duodenal ulcers I didn't know I had, that blocked anything getting through.

Put me in the ICU in a private room, 24 hr nurses ....(same tacky green hospital "robe" and too damned much a.c.)

They said from the amount if clotted gook in there, it dated back almost 3 years. I did the math.

For 4 days I had a tube down my nose into my stomach, pumping up over 2 1/2 LITERS of congealed toxic sludge/ bloodclots. TOTAL grossout!

Saline and potassium drips to rehydrate & resupply my depleted electrolytes. No food, no water, no appetite, lots of books ... The best gastroenterologist in Cairo (cute too!)

He asked me why it had gotten so out of hand, that I was really 2 hrs away from dead when I got there, 'cause one more good barf and several vessels would've ruptured and I could only say I didn't feel a thing ...

So: It's not the way I'd've chosen to lose a few pounds., I'm out, on Nexium for a bit, back from Cairo, kickin' butt and taking names ...

Back in NYC 7/17 and gonna be lots more careful and lots less forgiving of things/ people who stress me out ...

One of the first things I gotta do is make out a Will ... then hire a tax lawyer and try and finish my darned book already.

Ciao for niao

IRANIAN MUSICIAN JAILED FOR MIXING ISLAMIC MUSIC WITH JAZZ

2007-02-10T11:26:00.000-05:00

Tehran, 4 Jan. (AKI) - Habib Moftah Bushehri, an internationally renowned musician, has been sentenced to two years in jail in Iran on charges that his music offends Islam.

Bushehri, who lives in Paris where he performs with his group, the Ensemble Bushehri, had recently returned to Iran to visit his family.

The musician, who is well known with his group as a performer of folk music from southern Iran, is accused of offending religion with his melodies, which mix music performed during Islamic Shiite ceremonies with contemporary pieces, mainly jazz - a combination which has made him extremely popular.

The group's director Saiid Shanbehzadeh told Adnkronos International (AKI) that "for a long time the conservative media accused our group of heresy, apostasy and other crimes and this sentence therefore doesn't surprise us."

The Ensemble Bushehri had been awaiting Bushehri's return from Iran to leave for a new tour to Australia and New Zealand. "We will leave anyway for our tour because stopping now would mean giving in to what those who convicted Habib want," Shanbehzadeh told AKI.

BORN TO DANCE!!!

2007-01-01T19:55:00.000-05:00

Subject: Study: Some People are Born to Dance By Jennifer Viegas, Discovery News

Feb. 21, 2006 - Professional dancers are born with at least two special genes that give them a leg up on the rest of us, according to a new study.

Recent research also has suggested that intelligence, athletic ability and musical talent are linked to our genes and brain hard-wiring.

With dancing added to the list, the evidence indicates that certain individuals are born with a predisposition to specific behaviors and talents, and that at least some of these qualities may represent evolved attributes.

"I think that dancing is an evolved trait," said Richard Ebstein, who led the recent study, published in a recent Public Library of Science Genetics journal. "Animals have courtship dances and I think that human dancing represents the further development of a very ancient animal trait."

Ebstein, a psychology professor at Hebrew University's Scheinfeld Center for Genetic Studies, said, "Also the fact that dancing is universal and existed in all human societies, even those communities of man separated geographically by tens of thousands of years (native Australians, native Americans, Africans, Eurasians) attests to the very early origin of dance in our evolution as a species."

Ebstein, doctoral student Rachel Bachner-Melman and their colleagues examined the DNA of 85 currently performing dancers and their parents. They then did the same thing for 91 competitive athletes and 872 people who neither regularly dance nor often participate in sports.

The scientists discovered that dancers tend to possess variants of two genes that are involved in the transmission of information between nerve cells.

One of the identified genes is a transporter of serotonin, a brain transmitter that contributes to spiritual experience. The second is a receptor of the hormone vasopressin, which many studies suggest modulates social communication and human bonding.

"People are born to dance," Ebstein told Discovery News. "They have (other) genes that partially contribute to musical talent, such as coordination, sense of rhythm. However, the genes we studied are more related to the emotional side of dancing - the need and ability to communicate with other people and a spiritual side to their natures that not only enable them to feel the music, but to communicate that feeling to others via dance."

Ebstein believes some adults may possess the special gene variants, but they perhaps never nurtured the related skills or recognized their hidden talent.

He said, "Many of us surely have the ability, but for a hundred reasons never exploited that particular talent."

Ebstein explained that the identified genes seem to be linked to every form of dancing, from tap to hula, since all usually involve social communication and connecting to music or rhythms.

Irving Gottesman, a senior fellow in psychology at the University of Minnesota and an emeritus professor from the University of Virginia, is one of the world's leading experts on genes as they relate to human behavior and psychology.

Through prior research papers sent to Discovery News, Gottesman emphasized that genes are only one part of "complex causality" systems that make us who we are. For example, Gottesman confirmed that intelligence can be in our genes, but that socioeconomic considerations, such as a quality education, can have a greater influence on a person's intellect.

Ebstein agreed that genes were not the whole story. He said those of us without a twinkle-toed predisposition can still become good dancers, since "it's not only a question of having the right genes, but also training and motivation, that make professional dancers."

Plans to Demolish Sulukule - Istanbul's Roma Community!!!

2006-10-13T15:50:00.000-04:00

PLANNED DEMOLITION OF 'GYPSY SLUM' WILL MARK END OF AN ERA
Tuesday, October 3, 2006 Nicolas Cheviron ISTANBUL - AFP

Their skimpily clad dancers and tireless musicians have fired up Istanbul nights for nearly a millennium -- now the Roma of Sulukule, two neighborhoods clinging to the Byzantine battlements of the old city, are fighting for survival.

The municipality of the Fatih district, on the European bank of Istanbul, says that by the end of the year, it will demolish 463 buildings it deems “insalubrious” and dangerous in case of earthquake and replace them with fancy, wood-paneled “Ottoman-style” housing.

“This is the most social project I've ever seen,” Fatih Mayor Mustafa Demir told AFP. “We will buy the houses from the present owners and they can move into brand-new lodgings as soon as they're finished and pay off the difference over 15 years.”

Demir is proud of the project, describing the ancient, ramshackle wooden structures earmarked for demolition as “hovels you wouldn't dump coal in,” although they are home to 3,500 people, about 1,300 of them Roms.

But the residents of Sulukule say the municipal project will end the Roma presence in an area where they are on record as having lived since Byzantine times.

“If we borrow to buy the new homes, how will we repay?” asked Levent Demirbaş, 19 and jobless. “See that guy over there? He doesn't dare walk this street because he owes me seven lira” -- 3.75 euros, or US$4.75.

“The aim is to have rich people move in,” asserted Sukru Punduk, whose neighborhood association is seeking public support to save Sulukule, already decimated by first a 1960 earthquake and then the banning by conservative politicians in the 1990s of its typical neighborhood taverns.

“People here lived off music and fun, we were the coolest Roms in Turkey... now we earn nothing, we have to read by candlelight,” complained Punduk, who plays the darbuka, a calabash-shaped tambourine essential to Rom music.

Generations of Istanbul residents poured into Sulukule for their dose of music, booze and Oryantal dancing in an environment reminiscent of the catfight scene between buxom Rom lasses for the favors of James Bond in the 1963 movie “From Russia With Love.”

“You'd stick bills on the dancers' cosdtume and they'd come sit on your lap -- but it never went any further than that,” reminisced Aydin Boysan, an architect and a prominent author of popular Istanbul history.

“Those hellions really knew how to empty your wallet,” Boysan, at 85 still an energetic and tireless participant in Istanbul night life, added ruefully.

British researcher Adrian Marsh deplored more than just the disappearance of one of the most picturesque parts of this sprawling city of more than 12 million and the capital of three empires -- Byzantine, Roman and Ottoman.

What is at risk, he told AFP, is the oldest known settlement in the world of the nomadic Roma.

A Byzantine scribe first wrote in 1054 of “Egyptians” living in black tents pitched along the fortress walls and eking out an existence thanks to their oryantal dancers, fortune-tellers and dancing bears.

After Constantinople, as it was then known, fell to the Turks in 1453, Sulukule's dancers and musicians became fixtures of the nights of the opulent Ottoman court, explained Marsh, who is writing a thesis on Istanbul Roma.

“As far as we know, this is the oldest Rom community in the world,” he said. “Demolishing Sulukule is not the same as demolishing just any other gypsy slum, the way it happens all over Turkey and Europe -- it is the annihilation of the memory of an entire community.”

Direct TV & its horrendous Customer DISservice.

2006-08-03T12:00:00.000-04:00

This is not Oriental dance related, BUT it is human-related & has necessary information about how big companies, who are SO eager for business they will believe anything from anybody seeking to open accounts/ do business with them & then when THEIR lack of due diligence/ checking backfires on them, they further victimize those whose identities have been stolen by the very same sneaky slimeballs.

THIS is what I was forced to write to Direct TV, thanks to their year-long harrassment of me. The irony is that because I am on the 2nd floor of my building in midtown Manhattan, with all its skyscrapers, I can't even get Direct TV's satellite dependent reception, which requires a clear view of the sky!!!

August 2, 2006

DirectTV Customer Disservice
POB 9001069
Louisville, KY 40290

RE: your Account #036623747: I NEVER had DirectTV – I use Time Warner!!!

To Whom It May Concern/ Whoever There is Literate:

Your continuing harrassment re monies I do not and never have owed DirectTV has already taken far too much time from me: I have sent you documented PROOF which was more than sufficient to show YOUR error three times. This is the fourth & final time. I also wrote, in letters big enough to be seen without your glasses, that there are NO notaries that I know of in this neighborhood & I do NOT have the time, when I am in NYC, to leave my business to go looking for one.

Research into Direct TV’s policies & procedures re new accounts proved that all it took for the fraudulent creep in Florida, who stole my I.D. & used my good name & credit rating to open an account with you, was a phone call.

Had your company used a small fraction of the time & energy then that it is using now to harrass me, the innocent victim, & bothered to make a simple phone call to check with any of the 3 major credit companies, the special 7-year alert in effect on my accounts then would have alerted you to the ID theft issue & prevented this. Therefore it is your negligence and your problem, yet you persist in trying to make it mine.

You have 2 days from the receipt of this letter to totally close this issue where I am concerned, stop your harrassing letters to me, apologize to me for your atrocious behavior, clear any/all negative entries by your company from any/all 3 of my credit reports & provide me with proof thereof at the above address, or I will institute legal action against you, since it was your negligent accounts-at-any-cost policy that lead to the damages my good name and credit rating. FYI: I never resided in Florida..

If this does not end it, my attorney is authorized to pursue DirectTV, which will be held responsible not only for her costs, but also for my time at $300.00 an hour, prorated for all my past & future time involved, when I’m forced to sue you for harrassment.

I was first alerted to your problem by a phone call from your collection agency, after which there were three harrassing letters from you over many months, each asking for me, the victim, to provide proof of MY residence/ wherabouts for the time in question that that piece of Florida trailer-trash was hijacking my good name.

I did & each time it took a day out of my life to gather / copy proof of the police reports re the theft of my ID to my local precinct here in ***New York City***, proof of my OWNERSHIP of this substantial piece of mid-Manhattan real estate where I work/ reside, my voter registration is THIS district, phone bills to my personal name for the time concerned. MORE THAN SUFFICIENT PROOF FOR ANYBODY WITH A FUNCTIONING BRAIN! I repeat:

I also wrote, in letters big enough to be seen without your glasses, that there are NO notaries that I know of in this neighborhood & I do NOT have the time, when I am in NYC, to leave my business to go looking for one. I am, however, authorizing my attorneys to pursue further legal action against you, if this wastes any more of my time.

FYI: I filed the theft of my ID as Case #5334204 with the Federal Trade Commission on 12/6/04.
As an extreme courtesy on my part, I am again enclosing photocopies of:

1) The police reports of two prior incidences of theft of my ID – probably by the same person, who hitched up his trashy trailer & moved. They were more than sufficient proof in those instances.

2) Mortgage Interest Statement for my taxes, showing my Social Security number & the address of the property I own/ where I reside & out of which I work: to wit the entire 4,500 square foot second floor at 6 West 20th Street (between 5th & 6th Avenue) in New York City, which is worth a lot more than your diddlysquat bill for $575!!! & renders moot any request for any sort of letter from any sort of “landlord”, since I am my own landlord;

n.b.I own my own business and am my own “employer”, so requests in that area are also moot;

3) Copy of a page from a statement for one of my credit cards under my name at this address,

4) Copy of bills for 2 hard line phones & a cell phone under my & my dance company’s names at this address, proving that I was in residence/employed right here for the pertinent timeframe. FYI: 212/727-8326 has been in my name for over 12 years.

5) Enlarged copy of my passport info page – so you get the point that it’s really me. FYI: I am a real New Yorker & not only do not have/need a car, but do not drive & therefore, have no drivers license.

6) Copy of my voter registration card/info listing THIS address!!! Are you beginning to get it?!?

In addition, this time:

7) Copy of a recent article on me, so you know exactly who you are harrassing. That paper is the largest, most respected in the entire Middle East (publishes out of Cairo, NY Times size/format) has a circulation of over 1 million *&* it was a front-page highlighted article

8) Copy of my dance company’s tax exempt form, also giving THIS address

9) Go to my website: http://www.casbahdance.org & mouse on "Classes" – ALSO this address. A copy of this correspondence is going on my BLOG. Understand that I perform & teach seminars internationally, reach many, many thousands yearly & so far, there have been over 260,000 “hits” this year alone.

Think of how many will see exactly the sort of “customer service” Direct TV gives….

Enough already,
Morocco/ Carolina Varga Dinicu,
President/Director: Morocco & the Casbah Dance Experience, Inc. [non-profit/tax-exempt under 501 c)3)]
Director: Morocco Academy of Mideastern & North African Dance
President/Treasurer: Mideastern Television Productions, Inc.

They Gotta Be Kidding - NO Dancing allowed in NYC???!!!

2006-07-23T13:02:00.000-04:00

NEW YORK CITY- Dance Revolution
DANCING IN THE STREETS TO PROTEST CITY ANTI-DANCING LAW
BY JACQUI GAL Special to am NewYork - July 21, 2006

 New York is internationally renowned as the city that never sleeps, but visitors are surprised to learn that the Big Apple is not so hot on dancing.

Of the thousands of city bars, clubs and restaurants, only 275 hold cabaret licenses. Begin moving your hips in any of the others and chances are the staff will ask you to stop, for fear of a fine.

This weekend, a new activist group, Metropolis in Motion, plans to protest the laws by convening a dance party around the corner from Mayor Michael Bloomberg's Upper East Side townhouse Saturday afternoon.

  "It's about getting people to understand the whole bureaucratic mayhem that started in the 1920s. This is a dusty law where people keep trying to reform parts of it, over the course of the last 80 years but the entire law itself needs to be eliminated," said Greg Miller of the group, which consists mostly of people with dance backgrounds.

  Established in 1926, the cabaret laws were introduced to limit the opportunities for jazz musicians to play in places where people of different races might mingle and dance.

  For many years, they sat largely unenforced, until the 1990s, when the Giuliani administration began using them in a quality-of-life crackdown.

  One of the strongest advocates for change is former New York Civil Liberties Union chief Norman Siegel who, with New York University professor Paul Chevigny, is fighting to overturn the laws. After an April defeat in State Supreme Court in Manhattan, the group is planning to file an appeal in September, arguing the laws violate freedom of expression.

  Siegel suggested that in recent years, dancing has become a scapegoat the city uses to address quality-of-life complaints.

  "The Giuliani administration responded to neighborhoods concerned about quality of life for working people, who wouldn't be able to sleep because there was a bar cross the street and people were noisy at two or three in the morning," Siegel said. "Rather than deal with the real problem that was noise, they went after places that were not cabaret licensed. The Bloomberg administration is still making these quality-of-life arguments."

  The Department of Consumer Affairs, which issues cabaret licenses, sees them as a legitimate method of controlling entertainment venues around the city.

  "The DCA works closely with city communities, and in conjunction with other city agencies, to use every tool at its disposal in addressing serious public safety and problem issues that may arise regarding cabarets," said agency spokeswoman Dina Improta Roskin.

 
From me:

WHAT FREAKING PLANET ARE THESE IDIOT BUREAUCRATS ON?
Dancers are too busy dancing to hurt anybody ...

FYI: Of Muslims & Music - from the National Post

2006-03-23T14:46:00.000-05:00

Egypt's Leading Islamic jurist has issued a fatwa that declares the exhibition of statues in homes un-Islamic. The religious edict by the Grand Mufti, Ali Gomaa, overturning a ruling issued more than 100 years ago, did not mention statues in museums or public places but aroused fears among art lovers that it might prompt extremists to attack thousands of ancient statues on view at tourist sites across the country, Agence France-Presse reported.

"We don't rule out that someone will enter the Karnak temple in Luxor or any other pharaonic temple and blow it up on the basis of the fatwa." said Gamal al-Ghitani, editor of the literary magazine Akhbar al-Adab. "It's time for those placing impediments between Islam and innovation to get out of our lives."

The ruling by the Grand Mufti was based on a passage in the Hadith, sayings of the Prophet, that reads, "Sculptors would be tormented most on Judgement Day." He said the text left no doubt that sculpture was "sinful" and that decorating homes with statues was forbidden.

&

(MY comments are in parentheses. I don't necessarily agree with *everything* he has to say, but there is much here it is necessary to know - Morocco)

by Geoffrey Clarfield/ National Post / Tuesday, December 06, 2005

Music and dance are integral to culture. Can one imagine Jewish life in the West without Klezmer, Fiddler on the Roof or the hora? Or the Black American experience without jazz and gospel?

And yet there are parts of the Islamic world where it is a crime to dance and dangerous to sing in public. As a result, millions of Muslims are being denied the right to express their religion's rich cultural heritage.

On May 18, an unknown gunman shot and killed Shaima Rezayee, a 24-year-old TV presenter in Kabul, Afghanistan. As the host of a popular program called Hop, she was one of the country's best-known women. (More than one famous Rai singer was murdered by "fundamentalists" in Algeria recently.)

Hop has now been discontinued. But when Shaima was alive, it was an hour-long program on which male and female presenters, dressed in Western clothes, presented foreign music videos.

Her death occurred shortly after Afghanistan's conservative religious Supreme Court declared that Hop was "un-Islamic." Before her murder, she had received numerous death threats. Last year, this same court protested when Shaima's employers, Tolo TV, screened Cecil. B. DeMille's epic film The Ten Commandments. Representatives of the Supreme Court complained to
Afghani journalists that "it showed the prophet Moses with short trousers among the girls."

Shaima's death is but one example of how the rise of Islamic fundamentalism threatens singing, dancing and every other mode of expression deemed by extremists to be tainted by "infidel" influence.

In August, Iranian authorities sentenced a female journalist, Banafsheh Samgis, to one year in prison. Her crime? She had written a book arguing that female musicians had been a part of Islamic civilization since its beginning and were appreciated by none other than the prophet Muhammad. Prosecutors accused her of "distorting Islamic history."

Iranian men are at risk, too. Five years ago, in the eastern Iranian city of Meshed, authorities led a crackdown on pop music. This was prompted by numerous sightings of young, unmarried Iranian men playing loud music in their parked cars. One local judge said the perpetrators could receive up to 75 lashes. (More than enough to be fatal or at least crippling!)

Western movies are also officially forbidden in Iran (though hundreds of thousands of Iranians evade the strictures through the use of bootleg video rental services). The regime has also officially banned Western rock music; and when entering Iran, visitors are required to present all CDs and tapes for inspection. As one Iranian official explained, "If the music makes you want to jump up and dance, it is not acceptable." No doubt, many Beatles and Rolling Stones CDs are lying in warehouses waiting for liberation under a more tolerant regime.

The institutional source of Iran's cultural monitoring activities is the Council of Music, a distinctive creation of the Islamic revolution. Before a bar of music or lyric may be performed or broadcast, the author must obtain written approval from the
authorities. There is also a Council of Poetry that has the same rules, as well as an equivalent film authority.

These councils are all branches of the Ministry of Islamic Guidance and Culture. The fact that this ministry is, in fact, suppressing true Islamic culture rather than promoting it should remind readers of George Orwell's Nineteen Eighty-four -- in which the "Ministry of Truth" is charged with propaganda and censorship, and the "Ministry of Peace" is charged with waging war.

(Mideastern dancers all over the world were made aware of the horrendous repression of and hostility towards the Arts when Mohamed Khordadian was arrested in Teheran for *dancing* in front of a mixed audience. It took an international outcry & LOTS of "behind the scenes" maneuvering, etc. top get him out.)

(Farzana Kaboli & all her female dancers were arrested, for performing "movement to rhythm" - couldn't even dare to call it dance - for an all-female audience, even though they had the *official permission of the Ministry of Culture*. Her dancers had to sign affidavits that they would never dance again as the condition for their release!!! It took months longer for her husband to get Farzana out)

Given that Iran is still a fundamentalist state, and Afghanistan has only recently been liberated from the Taliban (who had declared almost all music to be illegal), one might expect them to be culturally backward. Unfortunately, more liberal, partially democratic regimes such as Lebanon and Egypt also serve up disturbing examples in the same vein.

On Dec. 14, 1999, the Lebanese musician Marcel Khalife was cleared by a court of the crime of blasphemy. Khalife was at risk of being imprisoned or fined, and the case made the headlines of newspapers all over the Arab world.

Khalife had been charged with insulting religious values by using a verse from the Koran on his 1995 CD, Arabic Coffeepot. (The song in question was inspired by the Koranic version of the Biblical story of Joseph and his brothers.) The Sunni clerics of Lebanon ruled that singing verses from the Koran was "absolutely banned and not accepted."

(Excuse me?!?!? There are thousands of records, tapes, CDs of sheikhs singing verses from the Koran. What's the difference? Are they afraid of losing their monopoly?!?!?)

Egypt's regime portrays itself as an enemy of fundamentalism. Yet as far back as the 1950s, the government declared belly dancing illegal. At the time, there was such a popular outcry against this time-honoured cultural tradition that the declaration was rescinded with one condition: Belly dancers had to cover their stomachs.

(& no floorwork, no quiver - yeah, sure! - & when being photographed, they had to stand stock still ... What idiot has so much time on his hands that he can dream up all that malarkey?)

Now the government has decided it should no longer give support or exposure to belly dancing -- bellies covered or not. And so belly dancing has been taken off TV.

In 1977, 12 out of the 14 nightclubs that feature belly dancing on Pyramid Street in Cairo were burned to the ground by angry mobs. This was part of a larger effort by religious activists who view nightclubs as dens of corruption and vice.

(They were rebuilt & Oriental dance flourished for the next 16 years, but the Oriental dance business has been in such a slump since mid 1993, that most of the Pyramid Street clubs are closed or turned into cheap hooker joints & the 5-star hotel night clubs are closed or not featuring "name" dancers more than one or two days a week, if that much.)

In southern Egypt, particularly in the Minya and Asyut areas, Islamicists have succeeded in banning female entertainment and alcohol from weddings. Activists occasionally break into wedding celebrations, destroy the musicians' instruments and force the female performers off the stage. To appease these mobs, many female dancers and singers in Egypt have "repented"
and made the pilgrimage to Mecca to atone for their allegedly sinful behaviour.

(Read Van Nieuwkerk's "An Hour for God an Hour for the Heart" re the same "atoning" among Mohamed Ali Street dancers)

In 1976, I left Toronto to live in Morocco, a traditional Arab Islamic state ruled by a Sultan who claims descent from the prophet Muhammad. I went there to study the oud, the Arabo-Turkish stringed instrument that is ancestral to the European lute. I spent many months playing and studying with a variety of musicians, and had the privilege of listening to a concert of Andalusian music in one of the Royal Palaces of Marrakesh. (The term "Andalusian" refers to the Arabic classical style brought to North Africa by the last Spanish Muslims and Jews expelled from thepeninsula by Ferdinand and Isabella's reconquest.)

The musical traditions of Morocco have a tribal (nomadic Bedouin and mountain Berber) style as well as peasant, urban and elite court styles, such as the Andalusian tradition. In Moroccan society, music informs all aspects of life. The general level of
musical talent and expression is roughly comparable to that of the Celtic peoples -- above average in all respects. In Morocco, the Sultan is both the commander of the faithful and the patron of these arts.

The diversity of styles that make up Moroccan music are part of what musicologists call the pan-Islamic tradition, a multi-ethnic, multicultural, but distinctive soundscape with roots that go back to the Hellenistic and Byzantine cultures later incorporated into medieval Islamic life.

These musical traditions include the music of the Sufis, or the Islamic mystics, made famous by the whirling dervishes of Turkey (the Mevleviyya sect, whose tekke, or centre, is in Konya in eastern Turkey). In the courts of the Iranian Shahs, Ottoman Sultans and the Sultans of Morocco, some of the best musicians were Jews, Greeks and Armenians. And yes,
some of the singers were women.

Over the centuries, the music of Islamic countries was the music of a tolerant, multifaceted civilization -- unlike the sacred music of the West, which was often rigidly church-based. Ironically, "Islamic music" had little connection to the mosque. So, why are we now hearing so much about religiously inspired persecution of Muslim music and musicians? The answer lies in
militant interpretations of Islamic law, or Sharia.

Islam is characterized by clear commands regarding many aspects of life. But music is not among them:
There is no direct mention of music in the Koran. Over the centuries, it has therefore become a highly divisive subject, with various authorities arguing over the words and phrases they believe indirectly govern the issue.

When deciding whether music or belly dancing is permitted or forbidden (haram) in Islamic law, scholars begin with a verse of the Koran, then proceed -- in descending order of authority -- to the sayings, or hadiths, of Muhammad, then to the quotes of his companions, then to the quotes of the friends of the companions, and then to the fiqh, which are the
dissertations of the four schools of Islamic law.

The final link in the chain of authority is embodied in the fatwa, a pronouncement, injunction or ruling by living Islamic scholars who interpret the traditions of Islamic law for the present day. We now have many fatwa-issuing Muslim authorities who believe that a wide variety of musical expression is permitted; as well as many other authorities, such as the Councils
of Iran, who do not. The struggle between the two sides is part of the larger culture war playing out in Islam, of which the 9/11 attacks and other spectacular terrorist outrages are but the most visible part.

It is interesting to note that when the Sultans were strong and confident, and minorities such as the Jews and Christians were not persecuted, music of all kinds was accepted and flourished in the Islamic world. Such tolerance has usually corresponded with periods when Islamic societies were expanding and open to the world. Now that Islamic societies are being outpaced
by the Christian West, reactionary elements have taken control and are seeking to expel any hint of infidel influence.

As a result, the affected Muslim nations are literally losing their culture. And ironically, it is the Great Satan that is benefiting. In Iran, for instance, most of the most popular musicians left the country after the Mullahs took over. Many of them found refuge in California, where there is now a thriving revival of the Iranian musical tradition. Much of the recorded material is clandestinely smuggled back into Iran, where many of these "expatriate" musicians are underground stars.

(The same thing happened with Khordadian's dance videos, but IMNSHO, he must have been suffereing from a real case of cranio-colonic inversion to have actually performed with a mixed group in Tehehran!!! Talk about walking directly into the lion's mouth, never mind just his den!!)

Liberal democracy, as we know it in the West, is a way of life, not simply a way of electing governments. It includes the right to free expression -- including music and dance. When that freedom is suppressed, it is not just artists and their audience who suffer, but the wider culture. The goal of fundamentalist governments and activists is to replace the vibrant, historically rooted cultural traditions of Islamic nations with the sterile, artificial culture of modern, militant Islam.

It is a world with all of the appeal of Orwell's.
© National Post 2005

Welcome

2006-03-17T00:36:00.000-05:00

Welcome to Morocco's Meanderings!

From time to time, in my nonexistent free time, I'll post info/ news items, snarky comments I think might be relevant or interesting. So ,,, stand by!